Friday, April 07, 2006

Knowing The Guts of the Story

At this late point in my revisions, the changes I'm making in my novel Cobalt Blue are small and huge.

SMALL CHANGES because:
*they're short
*they don't take long.

HUGE CHANGES because:
*the small additions, to fill in holes that my local reader/critics pointed out, are very high-impact
*I've worked on this story off and on for 18 years (while also writing three other books, etc.) and know all the off-stage history of the characters, can thus produce a highly relevant mini-scene pretty easily
*I know the story so well that I've grown more sure of each step I take, and each step is therefore stronger and clearer: BOLDER.

It's a very nice feeling, a real treat, in fact. It feels like a reward for a lot of groudwork, this rare ease.