James Sorenson's teachers said he'd never learn to read, says Monday's USA Today. His mom said he could do anything he set his mind to. A friend and dean of a business school says he's a "non-linear thinker." The reporter who wrote the story said that "his thoughts meander so much that a few hours (with him) produced a...notebook full of disconnected clutter."
Yet Sorenson has, over his several decades, put his thoughts together extremely well and come up with a list of medical inventions to his credit. Many of his ideas have come to him while he's soaking in the bathtub with a washcloth over his face.
Now at 86 he has begun the Sorenson Molecular Genealogy Foundation, sampling DNA in 107 countries. He wants to show that people have a common ancestry, without regard to races and ethnic groups. His hope is that demonstrating this will lead to world peace. His wife of 60 years says," I stand back and wait, because he does the impossible...You can't tell him he can't do something."
Tuesday, July 03, 2007
Biography Research: Repotting a Book-in-Progress
When I was a few months into my research on my biography of painter Elisabeth Chant, I bought a thrift shop item to house my growing stacks of notes.
That piece of furniture, shelves that were more like mail slots, was fine for a while.
But recently I realized I needed more space, and lots more different files. The distinctions in topics were growing ever finer, in addition to the added piles of bulk material.
So: a new container. I'm up to a very deep-drawered file cabinet, dressed in a sari from Varanasi, the setting of my novel Sister India. (This is the very distinctive Banarsi brocade.)
And this doesn't count the shelves of books, or the digital material.
I expect I'll have to repot another time or three before this book is done. It's a satisfying piece of the process, seeing it grow.
Repurposing
I like using things in ways other than their original purpose. To me, that's one of the three basic approaches to creativity, to making up new stuff:
1. use a familiar object for a new purpose
2. look at the familiar from a different perspective
3. combine elements that haven't been put together before (or never so well.)
This assemblage to the right is my project of last weekend: the idea being to do something with the unsightly nearly-six-foot multi-armed "stump" at the edge of my woodland garden.
I find it wonderfully phantamagorical, and expect the flower-pot-handed arms to start waving, hydralike.
Another nice thing about this kind of project is: it's not my writing, my career, and all that...I'm free to do it as sloppily as I want. Very liberating.
1. use a familiar object for a new purpose
2. look at the familiar from a different perspective
3. combine elements that haven't been put together before (or never so well.)
This assemblage to the right is my project of last weekend: the idea being to do something with the unsightly nearly-six-foot multi-armed "stump" at the edge of my woodland garden.
I find it wonderfully phantamagorical, and expect the flower-pot-handed arms to start waving, hydralike.
Another nice thing about this kind of project is: it's not my writing, my career, and all that...I'm free to do it as sloppily as I want. Very liberating.
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